Tuesday, 25 February 2014
Focus group document
This is a video of the actual focus group that took place. As well as the questionnaires, we also had the participants take part in a small discussion about each of the films, and also a discussion about which they preferred and why. Our focus group was very effective, as we had a diverse range of people attend and it allowed us to understand more about the demographics of our target audience, and also their opinions of psychological thrillers; what they like and dislike, what they expect, what they don't expect and what works well and what doesn't.
Focus Group
For our focus group, we showed our audience two Psychological Thriller openings: The Sixth Sense: https://www.youtube.com/watch?v=WyCqv7ReKz4 and We Need To Talk About Kevin: https://www.youtube.com/watch?v=KxHdvs01QEA. They watched the openings, then completed three questionnaires we construced about both themselves and the openings. We did this to get a greater understanding of the demographics of our target audience, and also what their opinions on Psychological Thrillers are.
Tuesday, 4 February 2014
History of Psychological Thrillers: Alfred Hitchcock
When researching
Psychological Thriller, we believed it would be a good idea to include aspects
of Psychological Thrillers from when they were first created. We looked back on
the history of them to find out who had the most influence in starting the genre
and making it what it is today.
When the genre was first introduced, the main aspects that made it identifiable were the levels of suspense, tension and excitement the genre conveyed in contrast to other film genres.
One of the most influential film directors in the genre was Alfred Hitchcock. (13th August 1899 – 29th April 1980) Hitchcock was an English film director and producer who established many of the techniques we find in the suspense and Psychological Thriller genres today and
Hitchcock’s first thriller was his third silent film, The Lodger: A
Story of the London Fog (1927), which was a Jack the Ripper story. The Lodger
introduced many themes, which would later run through most of Hitchcock’s work,
and the director himself would refer to The Lodger as the first true ‘Hitchcock
film’.
Hitchcock continued to direct and produce films through the 30s and 40s, then began to add colour in the 50s with films such as Strangers on a Train (1951) and Dial M for Murder (1954).
After his mass of classics in the 50s, Hitchcock released the shocking and engrossing thriller: Psycho (1960) about an encounter between a secretary, a motel's disturbed owner-manager. Psycho initially received mixed reviews, but eventually led to overwhelming critical acclaim and four Academy Award nominations including best Director for Hitchcock.
Hitchcock continued to direct and produce films through the 30s and 40s, then began to add colour in the 50s with films such as Strangers on a Train (1951) and Dial M for Murder (1954).
After his mass of classics in the 50s, Hitchcock released the shocking and engrossing thriller: Psycho (1960) about an encounter between a secretary, a motel's disturbed owner-manager. Psycho initially received mixed reviews, but eventually led to overwhelming critical acclaim and four Academy Award nominations including best Director for Hitchcock.
It is now
considered one of Hitchcock's best films and praised as a work of cinematic art
by international film critics and film scholars. Ranked among the greatest
films of all time, it set a new level of acceptability for violence, deviant
behavior and sexuality in American films.
In 1992, the US Library of congress deemed the
film "culturally, historically, or aesthetically significant" and
selected it for preservation in the National Film Registry, and is now known as the icon for Psychological Thrillers.
The 1970s and 1980s
saw Psychological Thrillers becoming vivid, explicit and violent. Hitchcock’s
Frenzy (1972) was given a R rating as a consequence of an explicit
strangulation scene.
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